More than any other movie genre, Science Fiction (SF) cinema has traditionally been able to explore thorny issues like class, race, and gender in a manner that is thought provoking and even profound. If one examines the genre more closely, however, a different picture emerges. Grotesque racial stereotypes are a major feature in most SF […]
Science Fiction (SF) cinema warrants serious critical analysis. The genre thrives on terror, and society is full of fear-induced bigotry, intolerance and endless warfare. By invoking fear, SF cinema can subvert viewers’ expectations and put sexism, racism and class warfare in stark juxtaposition. In a purely ideological context a violent, sexist narrative can become a […]
Science Fiction [SF] cinema has never received the degree of analytical and theoretical attention devoted to other film genres. In her book Alien Zone, author Annette Kuhn demonstrates that SF has been difficult to define as an actual genre, simply because it encompasses so many different elements. SF films rework and transform established themes and […]
Scholars have recently presented critical analyses of the popularity of zombies, vampires and witches to help explain the social and psychological implications of the undead in contemporary popular culture. Zombies are quick and easy metaphors that can be used for many purposes, representing any number of different themes. The proliferation of zombies in films, video […]
One of the milestones in cinematic history was the first narrative film, The Great Train Robbery (1903). It was directed and shot by Edwin S. Porter, a former associate of Thomas Edison. The movie is only about 10 minutes long, with 14 scenes. It was the most popular and commercially successful film of the pre-nickelodeon […]
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